climate change

Rights of a Tree



Charlotte Squire presents a banner for the ‘Rights of a Tree’ as part of Flow State at Make SW, referencing trade union banners and William Morris’s writing behind workers rights and craft, where engaging the senses through the handmade process is a key concept.

 Legal standing for the more-than-human inhabitants of natural world was first suggested by academic Christopher Stone in his 1972 paper ‘Should trees have standing?’ asking such questions as; Could nature have rights? Was it possible for a forest to have legal standing?  Who would speak for these natural entities?  

‘Because until the right-less thing receives its rights we cannot see it as anything but a thing for the use of ‘us’- those who are holding rights at the time’  

Elders  of the N American Innu people, the Mi’kmaq, propose the notion of Two-eyed Seeing- the sets of eyes are of indigenous ecological knowledge and western scientific knowledge working together rather than opposing each other.

A banner provides a rallying point for activism supporting rights for nature, whether a forest, a river, and other of Earth’s inhabitants. This ‘Rights of a Tree’ banner is made from textile and bark cloth – a ceremonial cloth used in ritual for births, initiation, marriage and deaths, parallel to those rites of passage taking place in the natural world; insects pupate and birds hatch, fledgelings fledge, plants grow, fungi form and fruit and nuts ripen and sustain. Tree’s shade cools Earth’s human and more than human inhabitants, ever more important in a warming 

Stiltwalker

small textile figure on stilts wearing a mask made of agapanthus seed heads

Stiltwalker 2024 textile, wire, wood.

Where Are We Now? at the Thelma Hulbert Gallery Honiton

Stiltwalker is a small figure striding through the landscape. Walking on stilts is something I remember from growing up in Kent, where stilt walkers were used for hop picking & stilts were a natural part of childhood games – here reimagined as a way of navigating a flooded landscape

Seed Head

 

photo credits Nicky Hirst 2022

 Spirit figures in mask & costume evoke a magic realism of an older culture needing to be recalled as the natural world struggles with our careless treatment of it….

over lockdown the garden became a sanctuary to grow plants to eat and become reacquainted with the seasonal evolution of plants in my patch. Cv19 year 1 was a wonderful growing year. In year 2, my small patch of crops was decimated by unseasonal plagues of caterpillars and slugs drawing me to think about superstitions, ancient deities and past ritual practice invoked to protect the seasons cycles.

Performing Green curated by Kim Thornton provided an environment to add a performance strand to my practice that I had not previously considered