For Transition Gallery’s curated project Dream Machine at Sluice Art Fair
Charlotte Squire reimagines the dream sequence from Hitchcock’s Spellbound as a compact set piece that compresses black and white, light & shadow into Hitchcock’s ideal of making a film in the smallest possible space, in a reworking of Dali’s dream scene from Hitchcock’s Spellbound.

Hitchcock’s fascination with film making in the smallest possible space proposes the idea of a compact set piece that allows play with the Freidman argument of sculpture becoming no more than theatrical props against Judd’s ideas of specific objects.